For Willem Boronski, art can be compared to nature. He sees a painting as a living organism that continuously develops itself and enters into relationships with its environment. Boronski expresses this as an incessant dance between the material, the artist and the viewer. It is about the interaction between these three different parties. During this interaction, boundaries are dissolved: everything is related and interacts. Boronski compares this to processes in nature, where nothing is separate from the bigger picture.

The removal of boundaries is reflected in Boronski’s way of working. He experiments with modern techniques and materials and combines them with traditional techniques and materials. You can see this, for example, in one of his most recent works: ‘Gather for the feast’. Here he combines oil paint with modern, digital techniques, creating an innovative work of art. To emphasize that everything is connected, Boronski even leaves brushes with which the work was created in the painting. In this way, a painting is ultimately created in which everything is connected. Tradition and innovation. The manufacturing process and the end product.

Collaboration and eliminating boundaries are important topics for Willem Boronski. With his art he wants to show that cooperation is the only way to move forward in our current, globalizing society. In it he emphasizes that competition is only destructive. It is precisely through cooperation that we as humanity can reach a higher level of integration. Art can be a forerunner in this.